In foto: Interno della scuola di Borgata Valdibà a Dogliani © Andrea Guermani

IL DIARIO DI RADIS 2025 | 3^ puntata

The project that the Kosovar artist has been working on for almost fifteen years is coming to the Langhe region. For the second edition of Radis, a permanent sculpture by Halilaj will blend into the landscape embracing the Alps and the hills, instead of a small village school which has been disused since the 1970s.

In the third episode of the diary, entitled ‘La nuova tappa del progetto radis (The new stage of the Radis project)‘, Elena Valsania and Christian Grappiolo, coordinators of Studio Feliz, provide a detailed description of the educational programme involving new schools, teachers and pupils.

Enjoy the read!

 

In the photo: (Detail) Interior of the Borgata Valdibà school in Dogliani © Andrea Guermani

APERTO 2025 | FICTIONING PRACTICES

Al via la seconda edizione di Aperto, un programma gratuito di alta formazione per le professionalità dell’arte contemporanea, ideato e promosso da Fondazione per l’Arte Moderna e Contemporanea CRT.

Aperto è una rete di istituzioni e spazi del contemporaneo con una riconosciuta expertise nel campo della formazione e ha luogo nelle loro sedi a Torino. I partner progettano i seminari insieme al team che ha ideato il progetto (Giorgina Bertolino, Irene Calderoni, Bernardo Follini, Vittoria Martini). L’edizione 2025 di Aperto coinvolge il  Castello di Rivoli, Almanac Inn, Cripta 747, Mucho Mas!, Fondazione Sandretto Re Rebaudengo e Artissima.

Il seminario è il formato scelto per approfondire uno specifico ambito: unisce l’acquisizione di nuove competenze alla dimensione teorica e riflessiva e all’attività laboratoriale.

Il programma 2025 di Aperto offre 4 seminari da luglio 2025 a febbraio 2026.

Per maggior informazioni visita il sito web del progetto.

Segui il profilo Instagram del progetto.

 


Seminario 2 | FICTIONING PRACTICES. Produzioni artistiche e strategie mimetiche per reimmaginare il reale 

Fictioning practices. Produzioni artistiche e strategie mimetiche per reimmaginare il reale è il secondo seminario intensivo e gratuito della seconda edizione di Aperto.

Il seminario è ideato e curato da Almanac, Cripta747 e Mucho Mas!, tre organizzazioni non profit di Torino che da anni collaborano sul progetto NewGen, un programma di formazione per artist emergenti. Il programma esplora l’utilizzo della pratica artistica come strategia di dis-identificazione e riaffermazione per problematizzare le strutture esistenti. Istituzioni immaginarie, identità fittizie e modelli speculativi diventano strumenti critici volti a sovvertire le narrazioni dominanti e a creare nuovi spazi e possibilità nell’immaginario collettivo.

Rivolto a artisti, curatori e ricercatori, il seminario adotta un formato ibrido che combina interventi teorici, case studies e pratiche laboratoriali. Fictioning practices intende attivare uno spazio di ricerca condivisa in cui la finzione si configura come strumento epistemologico e politico, capace di interrogare criticamente il presente e di immaginare forme alternative di soggettivazione, autonarrazione e relazione.

Il seminario si svolgerà dal 16 al 18 ottobre a Torino e avrà sede negli spazi di Almanac, Cripta747 e Mucho Mas!.

Il termine per inviare la propria candidatura è il 15 settembre entro le h 12 all’indirizzo applications@aperto-crt.it

 

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IL DIARIO DI RADIS 2025 | 2^ puntata

The project that the Kosovar artist has been working on for almost fifteen years is coming to the Langhe region. For the second edition of Radis, a permanent sculpture by Halilaj will blend into the landscape embracing the Alps and the hills, instead of a small village school which has been disused since the 1970s.

In the second episode of the Diary, entitled ‘Un viaggio tra le colline, nel passato delle Langhe (A Journey Through the Hills into the Past of the Langhe)’, curator Marta Papini recounts her exploration of the locations hosting the second edition of Radis. Following in the footsteps of Nuto Revelli’s Mondo dei vinti (The World of the Vanquished), she discovers traces of war and a vanished everyday life. The journey takes her through villages and vineyards to the medieval castle of Dogliani and a disused school that will be transformed by Petrit Halilaj’s permanent installation, which engages with the rural tradition of abandonment, return and resistance.

Enjoy the read!

 

Panoramic view of Dogliani village and castle. © Gilberto Rosso.

FONDAZIONE ARTE CRT | ACTIVITIES IN THE SECOND TERM OF THE YEAR 2025

Since 2000, Fondazione per l’Arte Moderna e Contemporanea CRT (The Foundation), the art-oriented arm of the Fondazione CRT, has implemented concrete actions aimed at promoting talent and enriching cultural heritage. At the same time, it has built up an extensive collection of contemporary artworks which has become one of the most prestigious in Italy and internationally over time.

In its 25th year since establishment on 27 December 2000, the Foundation continues to implement the strategic lines of its programme with growing commitment, consolidating its vision and impact year after year through individual events and special projects. Public Space: chosen as a privileged place to create works through the active involvement of residents, local authorities, and associations to make art accessible and participatory; Internationalisation: openness to projects beyond the borders of Turin and Piedmont; Community: the common thread running through all the Foundation’s projects, understood as both the destination of these projects and a direct approach to building plural groups. The aim is to create connections and strengthen the social fabric through art; Professions: the professions of contemporary art require specific skills that must be encouraged and developed; Education has always been a pillar of the Foundation’s work, providing a fundamental tool for bringing people of all ages closer to the languages of art and promoting understanding and appreciation. The Collection is at the heart of the Foundation’s institutional identity and provides the community with access to an artistic heritage.

PUBLIC SPACE / Radis

Following the highly successful creation of Giulia Cenci’s Le Masche in the municipality of Rittana, the second edition of the project, curated by Marta Papini and once again in collaboration with the CRC Foundation, will see Kosovar visual artist Petrit Halilaj create a new piece in Borgata Valdibà, Dogliani (CN).
This year, the two institutions will continue their dialogue with the local community, turning the concept of shared heritage into tangible actions. This is one of the statutory objectives of the Fondazione Arte CRT and the Fondazione CRT, who have always been dedicated to making culture and art accessible to everyone.

The work will be inaugurated on 5 October 2025 alongside the collective exhibition ‘Tutto ciò che tocchi cambia’ (Everything you touch changes). This exhibition will feature works from the Fondazione Arte CRT and the Fondazione CRC.

INTERNATIONALISATION / The 57th Annual Conference of CIMAM

This year, the Fondazione Arte CRT is opening up to international circuits by providing support, together with the Fondazione CRT, for the 57th Annual Conference of CIMAM (International Committee for Museums and Collections of Modern Art). This event will take place from 28 to 30 November at the OGR Torino, making Turin an international capital of art with over 300 delegates arriving from all over the world.

This event is organised by CIMAM and supported by the Fondazioni Arte CRT and CRT. It is curated by the Content Committee in collaboration with the Sandretto Re Rebaudengo Foundation, the Turin Museums Foundation and the Rivoli Castle Museum of Contemporary Art.

The Turin conference is entitled “Enduring Game: Expanding New Models of Museum Making” and will be guided by the motto “Of Necessity Virtue”.

COMMUNITY / Luci d’Artista

The Fondazione Arte CRT continues to play a pivotal role in Turin’s cultural landscape, demonstrating its ongoing commitment to supporting major contemporary art events such as The Phair, EXPOSED and Artissima. The foundation acts as an open interlocutor, facilitating the exchange of ideas, aspirations and requirements.

To celebrate its 25^ anniversary, the Fondazione Arte will produce a new light installation by a leading international artist for the first time as part of Luci d’Artista. This veritable open-air laboratory and institution for contemporary art has always been supported by the Fondazione CRT. The new work will be added to those already within the project and will be a gift to the city.

PROFESSIONS / Aperto

Aperto, launched in 2024, is a specialist training programme for contemporary art professionals. It is free and of a high level, and is conceived and promoted by the Fondazione Arte CRT. It is now in its second edition. Aperto involves a network of contemporary institutions and spaces with recognised expertise in training. It offers seminars that explore a specific area by combining the acquisition of new skills with theory, reflection, and workshop activities.
The 2025 edition of Aperto will feature four seminars, each lasting three to four days and accessible through open calls. Taking place from July 2025 to February 2026, the seminars will involve the Castello di Rivoli, Almanac Inn, Cripta 747, Mucho Mas!, Fondazione Sandretto Re Rebaudengo and Artissima.

The first seminar was titled ‘Raccontare le mostre’. Per una storia della curatela al Castello di Rivoli Museo d’Arte Contemporanea’ (‘Telling the Story of Exhibitions’. A History of Curating at the Castello di Rivoli Museum of Contemporary Art), will take place in two sessions on 24 and 25 July 2025, and 25 and 26 September 2025. It is conceived and organised by the CRRI (Castello di Rivoli Research Centre) and curated by Antonella Soldaini, who is an art historian, curator, author and curatorial consultant, as well as being the head of research at Studio Celant.

EDUCATION / aulArte

Now in its third year, aulArte has two key aims: encouraging engagement with and dissemination of contemporary art in schools and promoting access to cultural venues for students, as well as teacher training.
Through the open call for applications, the Foundation has made a total of €60,000 available to support the costs of educational trips to museums and contemporary art foundations in Piedmont. This is distributed as €2,000 to each of the 30 beneficiary schools (an increase from 25 in the previous edition). These include the Castello di Rivoli Museum of Contemporary Art (Rivoli), Cittadellarte – Fondazione Pistoletto (Biella), Fondazione Ferrero (Alba), the GAM Civic Gallery of Modern and Contemporary Art, the Fondazione Merz, the Fondazione Sandretto Re Rebaudengo, the PAV Parco Arte Vivente and the Pinacoteca Agnelli (all in Turin).

This will be accompanied by a complimentary teacher training programme organised by the Education Departments of the contemporary art institutions involved. This programme will start in Autumn 2025 and aims to provide teachers with the tools to develop their own teaching methods using contemporary art in school curricula. The last edition saw the participation of over 400 teachers.

COLLECTION / Fondazione Arte Moderna e Contemporanea CRT’s Collection

The centrepiece of the Foundation’s institutional identity and heritage is the internationally renowned private collection of the Fondazione per l’Arte Moderna e Contemporanea CRT. This collection is displayed in various locations and is primarily made available to the two most important contemporary art institutions in Piedmont: the GAM – Galleria Civica d’Arte Moderna e Contemporanea in Turin, and the Castello di Rivoli Museo d’Arte Contemporanea. Part of the collection is also housed at OGR Torino and Fondazione CRT headquarters.

 

Download the (Italian) press release

 

 

photo credit Pino Dell’Aquila

SUPERCONDOMINIO7

Fondazione per l’Arte Moderna e Contemporanea is pleased to announce the seventh edition of Supercondominio, the gathering of European independent contemporary art spaces where art is produced and promoted, curated by Treti Galaxie and organised with the support of the Foundation for the second consecutive year as part of the Radis public programme.

Following five editions promoted and hosted by the Castello di Rivoli Museum of Contemporary Art, Supercondominio is now associated with the Radis project and its venues. In 2025, it will invite national and international independent spaces to explore the Dogliani area on 6 and 7 September.

During the weekend, which focuses on education as a tool for activation, exchange and openness towards new audiences, communities and territories, the participating spaces will meet to share educational practices, experiences and methodologies through talks, performances and moments of dialogue with the public. The guest artists for this new edition are Cleo Fariselli and Elena Mazzi.

All events are open to the public and all presentations will be held in English.

 

For further information and to view the complete programme, please visit Radis’s website.

 

Download the press release

Petrit Halilaj e Marta Papini durante il sopralluogo a Dogliani © Andrea Guermani

IL DIARIO DI RADIS 2025

The project that the Kosovar artist has been working on for almost fifteen years is coming to the Langhe region. For the second edition of Radis, a permanent sculpture by Halilaj will blend into the landscape embracing the Alps and the hills, instead of a small village school which has been disused since the 1970s.

In the first episode of the Diary, entitled “Abetare” in Dogliani with Petrit Halilaj (‘Abetare’ – to dwell) curator Marta Papini talks about the new edition of the project.

Enjoy reading !

 

In foto: Petrit Halilaj e Marta Papini durante il sopralluogo a Dogliani © Andrea Guermani

RADIS 2025 | PUBLIC PROGRAM

Con la partenza della seconda edizione  il progetto di arte nello spazio pubblico ideato e promosso dalla Fondazione per l’Arte Moderna e Contemporanea CRT – ente art oriented della Fondazione CRT – in collaborazione con la Fondazione CRC, tornano anche gli appuntamenti del che avvicineranno il pubblico all’inaugurazione della sua opera, prevista per il 5 ottobre 2025.

The launch of the second edition of Radis, the public art project conceived and promoted by Fondazione per l’Arte Moderna e Contemporanea CRT – the art-oriented arm of Fondazione CRT – in collaboration with Fondazione CRC, also signals the return of public programme vents. These events will bring the public closer to the inauguration of the work, scheduled for 5 October 2025.

Launched in May with an event entitled L’arte che mette radici (Art that takes root), which was curated by Marta Papini and organised as part of the Dogliani TV Festival, the public programme will continue from June to October with a new edition of Supercondominio and a programme to promote public artworks in the province of Cuneo, with a specific focus on the Fondazione CRC’s A Cielo Aperto project. Barbara De Micheli, a project manager and producer with extensive experience in managing artistic and cultural projects, has conceived these itineraries for discovering the works scattered throughout the Cuneo area. The itineraries will offer the public the opportunity to explore an artistic heritage that blends with the landscape and local communities. The project aligns with the mapping and promotion work initiated by the Fondazione per l’Arte Moderna e Contemporanea CRT (CRT Foundation for Modern and Contemporary Art) during the previous edition of Radis, a publication edited by Vittoria Martini that catalogues and describes works rooted in their locations, inspired by their histories and dialogue with the communities that inhabit them.

 

THE CALENDAR

On Saturday 21 June, from 10 a.m., in Mondovì in the Garden of the Civic Museum of Printing, Susan Philipsz’s work A Song A Part will be activated, in an event curated by the Castello di Rivoli Museum of Contemporary Art. The event will include a conversation between Marcella Beccaria and Maurizio Fornero, as well as free guided tours of the museum and the work curated by the Museum of Printing.

On Saturday 21 June from 2pm and Sunday 22 June from 11am, in Cuneo at Rondò dei Talenti, it will be the turn of Michelangelo Pistoletto’s Terzo Paradiso dei Talenti, with cultural mediators involving the public in a participatory and poetic game, whose contributions will be collected and displayed in a temporary collective work, presented inside the Rondò.

On Sunday, 6 July, starting at 12 p.m., in Rittana, there will be a day dedicated to Giulia Cenci’s work Le Masche, created for the first edition of Radis, with a walk along the path leading to Chiot Rosa and a convivial picnic. In the afternoon, there will be creative workshops, games and refreshments for children and families. These will provide an enjoyable way for visitors to discover the sculptures in the woods. Finally, at the Rittana Community Centre, there will be a performance of Famiglia Mirabella, curated by Mirabilia, as part of the Nuovi Mondi Festival programme.

Supercondominio7, curated by Treti Galaxie, will be held in Dogliani on Saturday 6 and Sunday 7 September. Following five editions promoted and hosted by the Castello di Rivoli Museum of Contemporary Art, Supercondominio has become a meeting point for independent projects for the production and promotion of European contemporary art in the Radis area. The aim is to activate a dialogue between spaces and artists, to encourage reflection, mutual understanding, new synergies and collaborations, through moments of sharing with the public. The participating organisations are united by new approaches to public space, involving the themes of education and training new audiences for art.

On Saturday 20 and Sunday 21 September, from 11 a.m., Otobong Nkanga’s work Of Grounds, Guts and Stones will be activated in Pollenzo in the green area of UNISG – Università degli Studi di Scienze Gastronomiche (University of Gastronomic Sciences), and Olafur Eliasson’s work The Presence of Absence Pavilion will be activated in the garden of Grinzane Cavour Castle. Both events will feature storytelling activities led by cultural mediators in Italian and English.

On Saturday 11 October at 4.30 pm, a walk to discover Hilario Isola’s work I Dormienti will take place in Guarene. The artist will be in conversation with Bianca Roagna, director of the Beppe Fenoglio Study Centre, on the occasion of the 23rd anniversary of the city of Alba.

On Sunday 12 October at 11 a.m. in Castagnito, a public meeting will take place in conjunction with the children of the Castagnito nursery school. The purpose of the meeting is to present and share the work carried out by the artist Victoria Stoian with the work Paesaggio in 565 giorni e 33 scalini (Landscape in 565 days and 33 steps).

On Saturday 11 and Sunday 12 October, starting at 3 p.m. in Dogliani, Petrit Halilaj’s work, inaugurated on 5 October, will be the focus of cultural mediation activities and workshops in Italian and English, followed by a snack for children.

On the same days, starting at 11 a.m. in Alba, Valerio Berruti’s Alba and Samuel Di Blasi’s Porta di Luce will be presented during a guided walk in Italian and English.

For more information on the complete programme and how to participate, please visit the project webisite.

 

THE EXHIBITION

On Sunday, 5 October, an exhibition will open in the Chiesetta del Ritiro della Sacra Famiglia in Dogliani. Alongside Petrit Halilaj’s work, the exhibition will feature pieces from the collections of the Fondazione per l’Arte Moderna e Contemporanea CRT and the Fondazione CRC. The exhibition aims to return these pieces to the public in the Piedmont region. Tutto ciò che tocchi cambiaTutto ciò che cambi, ti cambia  (Everything you touch changes. Everything You Change Changes You), curated by Marta Papini. The exhibition is inspired by Octavia E. Butler’s dystopian novel Parable of the Sower, whose opening words give the exhibition its title, and by Nolan Oswald Dennis’s Notes for Recovery (hold), which is also on display. The exhibition offers a reflection on art as a tool of hope and openness towards the future, through a selection of works by Marina Abramović, Sol Calero, Chiara Camoni, Bracha L. Ettinger, Dorothy Iannone and Nolan Oswald Dennis, which touch on these themes from multiple perspectives.

 

THE EDUCATIONAL PROGRAMME FOR SCHOOLS

In parallel with the public programme, Radis will once again be accompanied by an educational programme for local schools. This programme has been curated by Feliz in collaboration with the association La Scatola Gialla. The initial cycle of meetings, entitled L’Attesa (The Wait), took place between May and June, with primary school classes in Dogliani participating as an accompaniment to the work. The second part, which is aimed at primary and lower secondary schools, is scheduled to take place once the work has been installed, during the 2025-2026 school year.

 

Download the (italian) press release

RADIS | LE MASCHE DI GIULIA CENCI

Fondazione per l’Arte Moderna e Contemporanea CRT, the art oriented entity of Fondazione CRT, presented Un’arca per le stelle (An Ark for the Stars), a collective work realised by the students of the schools that took part in the educational activities within the first edition of Radis, realised with the support of Fondazione CRC.

After its broadcast on SkyArte, from today you can see the documentary ‘Radis – le masche di Giulia Cenci’ – made by Cucù Milano and TIWI – on the Fondazione Arte CRT’s YouTube channel.

 

 

 

Photo credit Giorgio Perottino

Radis presenta Un'arca per le stelle, frutto delle attività educative realizzate con le scuole e curate da Feliz con l'Associazione La Scatola Gialla.

RADIS PRESENTA UN’ARCA PER LE STELLE

A new date for Radis, the public art project of the Fondazione per l’Arte Moderna e Contemporanea CRT, which celebrates its twenty-fifth anniversary this year: on Saturday 22 March from 15.00 and Sunday 23 March from 10.00, Un’Arca per le Stelle (An Ark for the Stars), the collective work created by the students who took part in the educational activities curated by Feliz with the La Scatola Gialla association as part of the educational project linked to Radis.

The day will also be an opportunity to present the documentary on the first edition of the project, produced by Cucù Milano and TIWI, which will be broadcast by Sky Arte on Tuesday 25 March 2025.

The Radis project – from the Piedmontese radis (root) – was created with the aim of enriching the Piedmontese territory with a heritage of public works of art that are made available to the community, in dialogue with educational programmes, public meetings and exhibition projects that return part of the collection of the Fondazione per l’Arte Moderna e Contemporanea CRT to the community. The first edition, curated by Marta Papini and realised in collaboration with the Fondazione CRC, culminated last October with the inauguration in the Chiot Rosa clearing of the site-specific work le masche by the artist Giulia Cenci; the work consists of a series of aluminium sculptures made by the artist from casts of birch trees in the clearing, combined with elements typical of her sculptural language.

The commissioning of Giulia Cenci’s work at Chiot Rosa was accompanied by an educational programme for local schools, curated by Feliz in collaboration with the association La Scatola Gialla. The first cycle of meetings, entitled L’Attesa (Waiting), involved thirteen primary school classes from the Borgo San Dalmazzo and Demonte Comprehensive Institutes in June 2024, who worked in the classroom to discover public art and in Chiot Rosa to imagine their own work at the same time as the artist conceived hers. In the autumn, the project continued with the activities of Costruire i sensi (Building Sensories), which also involved secondary schools, with a total of 38 classes, or 694 students, involved in a first-person confrontation with the work installed at Chiot Rosa, with Giulia Cenci’s language and research. The result of the workshops is L’arca delle stelle (The Ark of the Stars), a collective work whose return is a further opportunity to involve families and the local area in the themes of public art, and an invitation to visit Chiot Rosa to discover the work of public art that has inspired children and young people.

On Saturday 22nd March, the day will begin at 15.00 at the Centro della Comunità (former bowling alley) in Rittana, with institutional greetings by Patrizia Sandretto Re Rebaudengo, President of the Fondazione per l’Arte Moderna e Contemporanea CRT, and Mauro Gola, President of the Fondazione CRC; followed by a presentation of the schools’ activities and the final project by Elena Valsania and Christian Grappiolo of Feliz; this will be followed by a talk by Marta Papini, curator of Radis, and the presentation of the documentary film dedicated to the first edition of the project. The day will end with a visit to the students’ work, which will also be open to the public on Sunday 23rd March from 10am to 6pm.

Admission free of charge – reservation available HERE

 

Download the (Italian) press release

PASTIS | BOLOGNA

Museum directors, curators, artists, students, critics, professionals of the contemporary art system and personalities from different backgrounds, together in an informal meeting in symbolic spaces throughout Italy: the Fondazione per l’Arte Moderna e Contemporanea CRT is launching Pastis, the ‘secret breakfast’ conceived by art critic, journalist and populariser Nicolas Ballario, which the Foundation has decided to organise at key moments for contemporary art in Italy, in order to help build a more cohesive, inclusive and open art community.

“Conceived and curated by Nicolas Ballario, Pastis is a format that had its first stop in Turin last November on the occasion of the Artissima International Fair. We are delighted to be able to renew this appointment in Bologna during Artefiera,” says Patrizia Sandretto Re Rebaudengo, President of the Fondazione per l’Arte Moderna e Contemporanea CRT. Pastis is a breakfast and much more: it is an opportunity for networking outside the canonical venues of contemporary art; a moment of convivial meeting and discussion among people who are attracted to and work in this world; a way of discovering and rediscovering significant and symbolic places in the cities where it takes place. Of course, it is also an opportunity to make the Fondazione per l’Arte Moderna e Contemporanea CRT, of which I have the honour to be President, known, to tell those who do not yet know about its activities and projects, so that they can spread them in their own professional and personal spheres.”

Pastis is a convivial moment with no apparent purpose other than to meet, to get to know each other, to chat,” says Nicolas Ballario. “The format was first experimented with during Artissima in the Pastis bar of the same name in Turin, but that is not why it is called Pastis: Pastis in Piedmontese means ‘chaos’, and that is precisely the purpose, to bring together different personalities, to mix and network from the early hours of the morning; rumours circulate a few days in advance, but only on the morning of the breakfast do we really know the exact location of the meeting, which is always and in any case a historic venue in the host city, an important place for art or for the artistic community.”

The next Pastis event will take place in Bologna during ARTEFIERA, on the morning of Friday 7 February.

 

Download the press release

 

 

Visual Identity: Creative studio Cucù Milano