Eduardo Navarro considers his work a form of ‘emotional technology’ with which to investigate the mechanisms of compassion. Since the mid-2000s, he has created installations, objects, performances and participatory interventions that attempt to make a new perception of the world possible. In his works, both ironic and poetical at the same time, he often comes face to face with specialists from various fields – choreographers, musicians, scientists, priests – with the aim of exploiting their knowledge to undermine certainties and predetermined behavioural patterns.
After abandoning his studies in architecture to focus on the visual arts, he began coming up with projects that foresaw the construction of temporary spaces made available to the community with which to come into contact on a series of occasions. [...]
