Mathilde Rosier moves casually between a wide range of expressive languages in which painting, video, installation and performance come together in an interplay of references and self-citation. Her main source of inspiration is the world of dance, of music and of theatre, with a repertoire of costumes, choreography, masks and codified rituals. The characters featured in her portraits and the subjects that appear in the scenes take their viewers by the hand and lead them into a suspended reality which calls for intimacy, silence and a certain length of time in order to be appreciated. [...]
