Considered one of the most provocative and controversial artists of his generation, Jordan Wolfson started out in the field of video, around which he experimented without subscribing to a specific technique, working with pre-existent footage, with animated drawing or with computer graphics. While at the beginning he took his images from popular culture – the eyes of Michael Jackson in Neverland (2001), or the bottles of Coca Cola in Con Leche (2009) – further on he gave rise to a rich range of imaginary characters, such as his caricature of the Jewish man in Animation, Masks (2012). [...]
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