Through video-installations, sculptures, lecture-performances and online projects, Cécile B. Evans’s artistic practice observes the impact of digital technologies on human subjectivity. Her research focuses in particular on the scale of values attributed to the emotions and on contemporary relationships as shaped through mechanisms imposed from above.
In her video works, the artist stages a complex series of stories populated by imaginary figures, more or less human or humanised, entrusted with the task of steering the conversation around to various topics. [...] 
