Tollebeek Spring II, 2000

In 1969 Jan Dibbets created a work, Perspective Correction, an original contribution to the photographic production of conceptual art. The tautological and linguistic approach to artistic experiences tied with conceptual research required that photography be a tool of straightforward documentation, in the service of an analytical art that is often accompanied by texts, and it was only in relationship to the latter that photography had the possibility of being considered in terms of the work. [...]