Waiting for Different Times, 2008, is a helter-skelter collection of geometric solids, piled up haphazardly like museum bases abandoned in an old warehouse. The resonant and vivid colors negate the possibility of assigning the work a distant date or associating it with a bygone period. Instead, the bases, because of their state of preservation and obvious lightness, seem to have just been discarded by an art museum whose works are difficult to place chronologically. The reason the eye cannot link these forms to one era is that the bases, while in some way realistic, are immediately revealed to be false. [...]
