Tramonto nello stadio
Tramonto nello stadio
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Tramonto nello stadio, 1973

Loaned to
GAM Galleria d'Arte Moderna
Description
acrylic on canvas
Dimensions

97inch x 77inch

No. Elements
1
Object Type
dipinto
Credits
©Stefania Brai - Courtesy GAM - Galleria Civica d'Arte Moderna e Contemporanea, Torino - foto di Perottino-Piva-Bottallo / Artissima 2019 - Proprietà della Fondazione per l'Arte Moderna e Contemporanea CRT
The Artist
Having grown up in a learned family environment frequented by painters, writers, musicians and intellectuals, Titina Maselli developed an artistic vocation at a young age, encouraged first by her father Ercole, a well-known art critic linked to the Roman School of the 1930s, and then by Toti Scialoja, whom she would marry in 1945. But Maselli soon broke away from both of them, developing her own personal iconography that would never abandon her and which would intentionally keep her outside of any style or artistic movement of the day.
She had no interest in the pomp of imperial and baroque Rome, but in the neighbourhoods destroyed by the bombing, the reconstruction sites, the shiny asphalt of the roads, which she would paint after setting up her easel in the middle of the night. [...]
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