L’osservatore non l'oggetto osservato, 1981 - 2003

Simultaneously a physical and a metaphorical place, Remo Salvadori’s studio is the point from which a concentration of energy radiates outward, resulting in his works. For the artist, space, light, color, or even an everyday object can become a poetic reflection. When interrogated, these elements take the form of works that become material evidence of transcendental values, in a dialogue that involves ancient symbology, anthroposophical theories, and art history. As part of a consistent intellectual investigation, each work by Salvadori maintains a strong relationship with those that have preceded it and those that will follow, and the work itself is an open and potential field, which can be inflected in new forms and multiple reinterpretations. [...]