{"id":17975,"date":"2025-11-01T14:19:05","date_gmt":"2025-11-01T13:19:05","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/?post_type=news&p=17975"},"modified":"2026-01-28T12:21:36","modified_gmt":"2026-01-28T11:21:36","slug":"the-new-acquisitions-of-fondazione-arte-crt-at-artissima-2025","status":"publish","type":"news","link":"https:\/\/fondazioneartecrt.it\/en\/news\/the-new-acquisitions-of-fondazione-arte-crt-at-artissima-2025\/","title":{"rendered":"THE NEW ACQUISITIONS OF FONDAZIONE ARTE CRT AT ARTISSIMA 2025"},"content":{"rendered":"

With the highest budget of the past thirteen years, Fondazione Arte CRT<\/strong> \u2014 the art-oriented body of Fondazione CRT<\/strong>, which this year celebrates its 25th anniversary<\/strong> \u2014 has once again reaffirmed its confidence in the proposals of the galleries participating in Artissima.<\/strong> During the 2025 edition, the Foundation acquired 26 new works by 11 artists,<\/strong> all destined, as always, for public enjoyment. Significant pieces by John Giorno,<\/strong> Cian\u00a0Dayrit, Majd Abdel Hamid, John\u00a0Menick, Felix Shumba and Valentina Furian<\/strong> will become part of the permanent collection of the Castello di Rivoli Museo d\u2019Arte Contemporanea<\/strong>, while works by David\u00a0Schutter, Simon\u00a0Callery, Alessandro Pessoli, Marco Cingolani<\/strong> and Franciszka and Stefan Themerson<\/strong> will be made available for display at the GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino.<\/strong><\/p>\n

For twenty-five years<\/strong>, Fondazione Arte CRT<\/strong> has been one of the main partners of Artissima, the international contemporary art fair in Turin, which it supports through various initiatives, most notably the acquisitions program<\/strong>. This long-standing collaboration stems from the conviction that Artissima offers the city a unique opportunity to strengthen and project its role on the international art scene.<\/p>\n

On the occasion of its 25th anniversary<\/strong>, Fondazione Arte CRT renews and reinforces this commitment by further increasing the historic acquisitions fund from \u20ac280,000 last year to \u20ac300,000<\/strong>. This marks the highest budget in the past thirteen years<\/strong>, confirming the Foundation\u2019s determination to continue investing in the promotion of contemporary art and in the shared cultural heritage of Turin and its region.<\/p>\n

\u201cFondazione Arte CRT, which operates on behalf of and thanks to the support of Fondazione CRT, is proud to renew its commitment to Artissima, Italy\u2019s leading contemporary art fair and one of the most renowned internationally.
\n<\/em>On the occasion of our 25th anniversary, we wanted to further strengthen this partnership by increasing the acquisitions fund to \u20ac300,000 \u2014 the most significant allocation in recent years \u2014 as a concrete sign of support for the galleries and artists participating in the fair. <\/em>Through the acquisitions we will make together with our Scientific Committee, the works will become part of the collections of GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino and Castello di Rivoli Museo d\u2019Arte Contemporanea, enriching two outstanding public institutions and reinforcing Turin\u2019s role as a capital of contemporary art.\u201d,<\/em> says Patrizia Sandretto Re Rebaudengo<\/strong>, president of Fondazione Arte CRT.<\/p>\n

The Fondazione supports the galleries and artists taking part in the fair through the acquisition of works, thus fostering the growth of an extensive collection of contemporary art that is now one of the most prestigious: over 950 works<\/strong> ranging from painting to sculpture, video to photography, large installations to NFTs, created by 380 artists<\/strong> \u2013 for a total investment of over 42 million euros<\/strong>. Confirming the Fondazione\u2019s mission, the works that become part of its permanent collection are immediately made available to the community and to the two museums for their respective exhibition activities and for loans to other institutions, enabling Castello di Rivoli Museum of Contemporary Art and GAM – Galleria Civica d\u2019Arte Moderna e Contemporanea to continue to update their displays, in a constant dialogue with the leading exponents of the international art scene.<\/p>\n

As has become customary in recent years, the Scientific Committee of Fondazione Arte CRT<\/strong> was once again present at Artissima for the second consecutive year. This year, the Committee was represented by Hans Ulrich Obrist<\/strong> (Artistic Director, Serpentine Galleries, London), Susanne Pfeffer<\/strong> (Director, Museum MMK f\u00fcr Moderne Kunst, Frankfurt), and Vicente Todol\u00ed<\/strong> (Artistic Director, Fondazione Pirelli HangarBicocca, Milan); Manuel Segade Lodeiro<\/strong> (Director, Museo Nacional Centro de Arte Reina Sof\u00eda, Madrid) and Suhanya Raffel<\/strong> (Director, M+ Museum, Hong Kong) contributed remotely.<\/p>\n

As the consultants of the Fondazione for acquisitions, the Committee has participated in the choice of acquisitions in the fair, in synergy with the Directors and Chief Curators of Castello di Rivoli Museum of Contemporary Art <\/strong>and GAM – Galleria Civica d\u2019Arte Moderna e Contemporanea<\/strong>, selecting works that further enhance the artistic heritage of both museums, centres of excellence in Piedmont and important resources to bring art to a wider, heterogeneous audience on local, national and international levels.<\/p>\n

Regarding the acquisitions, the Committee of Experts of Fondazione Arte CRT<\/strong> remarks: \u201cA very special moment in Turin, a city of art that Artissima enlivens together with the exhibitions of the many cultural institutions across the territory. This year, many of them are celebrating important anniversaries \u2014 among them the Fondazione Arte CRT, which marks its 25th year.
\nA dynamic moment, because \u2013 to paraphrase Italo Calvino \u2013 in Turin one can truly write, for here the past and the future coexist in the present with a strength rarely found elsewhere. This is felt even more intensely at Artissima, through its curated sections, where pioneering artists and galleries reaffirm this attitude: in an age where information abounds but so does amnesia, it is essential to \u201cprotest against the obvious.\u201d For this reason, Artissima presents works by pioneering artists, sometimes forgotten, who deserve to be rediscovered and reinterpreted. As Erwin Panofsky once said, \u201cthe future is sometimes invented with fragments of the past.\u201d Hence the need to preserve memory while at the same time supporting emerging artists: because the history of the past is also an anticipation of the future. It is impressive to see, here in Turin, the number of directors, curators, and art professionals gathering over these days. Turin is always worth a journey. And as Alighiero Boetti used to say, \u201cart brings the sun and the light to Turin.\u201d<\/em><\/p>\n

 <\/p>\n

Works acquired for Castello di Rivoli Museum of Contemporary Art <\/strong><\/p>\n

\u201cPoetry as a space for continuous creative elaboration (John Giorno); the utopia of hyper-technology and its failure (John Menick); the tension between vision, control and vulnerability (Valentina Furian); line and colour as tools for processing loss and grief (Majid Abdel Hamid); the use of cartography to address the trauma of colonial heritage (Cian Dayrit); the invention of techniques as a form of resistance to extractivist policies (Felix Shumba).
\n<\/em>This selection for the Castello di Rivoli Museo d\u2019Arte Contemporanea brings together artists whose works address the complexity of the present and the fragility of the human condition. These are works with strong political and social connotations but capable of maintaining a poetic dimension, characterised by practices that embrace slow gestures, where individual creativity becomes a space for freedom and resistance.\u201d<\/em>says the Director of Castello di Rivoli Museum of Contemporary Art Francesco Manacorda.<\/strong><\/p>\n

 <\/p>\n

Majd Abdel Hamid<\/strong><\/p>\n

Muscle Memory III<\/em>, 2022<\/p>\n

single-channel\u00a0HD video, color<\/p>\n

18′ 47”<\/p>\n

Ed 3\/3 + 2 AP<\/p>\n

P420<\/p>\n

 <\/p>\n

Majd\u00a0Abdel Hamid<\/strong><\/p>\n

Muscle Memory\u00a0Composition<\/em>, 2022<\/p>\n

Cotton\u00a0thread\u00a0on\u00a0fabric<\/p>\n

40.5 x 38.5 cm<\/p>\n

P420<\/p>\n

 <\/p>\n

Majd Abdel Hamid<\/strong><\/p>\n

Muscle Memory\u00a0Composition 6<\/em>, 2022<\/p>\n

Cotton\u00a0thread\u00a0on\u00a0fabric<\/p>\n

28.5 x 26.5 cm<\/p>\n

P420<\/p>\n

 <\/p>\n

Cian\u00a0Dayrit<\/strong><\/p>\n

Natural Histories of Struggle: For Land<\/em>, 2021<\/p>\n

Objects, embroidery, imagery, and digital print on fabric (collaboration with RJ Fernandez and Henricus)<\/p>\n

125 x 185 cm<\/p>\n

Nome<\/p>\n

 <\/p>\n

Cian\u00a0Dayrit<\/strong><\/p>\n

Valley of Dispossession<\/em>, 2021<\/p>\n

Objects and embroidery on textile (collaboration with Henry Caceres)<\/p>\n

198 x 165 cm<\/p>\n

Nome<\/p>\n

 <\/p>\n

Valentina Furian<\/strong><\/p>\n

Eclissi,\u00a0<\/em>2024,<\/p>\n

Two channels video, mute, color<\/p>\n

1\u2019\u00a0loop<\/p>\n

Ed. 3<\/p>\n

Una Gallery<\/p>\n

 <\/p>\n

John Giorno<\/strong><\/p>\n

DIAL-A-POEM\u00a0Push\u00a0Button Edition<\/em>, 1968-2019<\/p>\n

Telephone and computer with 282 recorded poems from 132 poets<\/p>\n

12.7 x 27.9 x 27.3 cm<\/p>\n

Ed. 9\/20 + 5 AP<\/p>\n

Thomas Brambilla<\/p>\n

 <\/p>\n

John\u00a0Menick<\/strong><\/p>\n

Telharmonium<\/em>, 2025<\/p>\n

Generative 4K video, generative audio score, custom software,\u00a0economic\u00a0simulation<\/p>\n

Ed. of 5 + 2 AP<\/p>\n

Matta<\/p>\n

 <\/p>\n

Felix Shumba<\/strong><\/p>\n

Oracle 1- 5<\/em>, 2024<\/p>\n

Charcoal on paper<\/p>\n

72 x 70 cm each<\/p>\n

Fonti Gallery<\/p>\n

 <\/p>\n

Felix\u00a0Shumba<\/strong><\/p>\n

Familiar\u00a0Fruit\u00a0<\/em>|\u00a0A\u00a0third\u00a0of\u00a0dawn\u00a0<\/em>|\u00a0Along, a\u00a0certain\u00a0line come a 4th of a\u00a0teeth\u00a0<\/em>|\u00a0length\u00a0of light and with a\u00a0lemon<\/em>, 2024<\/p>\n

Charcoal\u00a0on paper<\/p>\n

72 x 70 cm\u00a0approx.<\/p>\n

Fonti Gallery<\/p>\n

 <\/p>\n

\u00a0<\/strong><\/p>\n

Works acquired for GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino <\/strong><\/p>\n

\u00a0<\/strong>\u201cI am very pleased that the GAM collection is being enriched with works by artists who, although coming from different contexts, maintain a deep connection with the history of Italian and European art. The acquisitions of David Schutter, Simon Callery, Alessandro Pessoli, Marco Cingolani, and the duo Franciszka and Stefan Themerson reflect the museum\u2019s commitment to supporting artistic research that transcends geographical and temporal boundaries, while finding in Italy an ideal point of reference. These works engage in dialogue with both the history and the contemporaneity of painting and the moving image, strengthening GAM\u2019s mission to build a living collection capable of reflecting the complexity and vitality of art today, also through the history\u201d <\/em>says the Director of GAM \u2013 Galleria Civica d\u2019Arte Moderna e Contemporanea, Chiara Bertola.<\/strong><\/p>\n

\u00a0<\/strong><\/p>\n

Simon\u00a0Callery<\/strong><\/p>\n

Stura<\/em>, 2021<\/p>\n

Canvas, distemper, pencil, thread, stainless steel, wood<\/p>\n

169.3 x 165 x 23 cm<\/p>\n

1\/9 Unosunove Arte Contemporanea<\/p>\n

 <\/p>\n

Marco Cingolani\u00a0<\/strong><\/p>\n

Conferenza stampa,\u00a0<\/em>1993<\/p>\n

Oil on canvas<\/p>\n

185 x 185 cm<\/p>\n

Thomas Brambilla<\/p>\n

 <\/p>\n

Alessandro\u00a0Pessoli\u00a0<\/strong><\/p>\n

Teenager faces series,\u00a0<\/em>2024<\/p>\n

Acrylic\u00a0on\u00a0plastic\u00a0sheet<\/p>\n

45.5 x 30.5 cm<\/p>\n

Unique\u00a0work<\/p>\n

P420<\/p>\n

 <\/p>\n

David\u00a0Schutter<\/strong><\/p>\n

ANB C 1.03\u00a0<\/strong>series<\/em>, 2024<\/p>\n

4 oil on canvas<\/p>\n

60 x 50 cm<\/p>\n

Magazzino<\/p>\n

 <\/p>\n

Franciszka and Stefan Themerson<\/strong><\/p>\n

The Eye and The Ear, 1945<\/em><\/p>\n

Colour film 33 mm<\/p>\n

10 min<\/p>\n

Edition 5 + 2 AP<\/p>\n

Import Export<\/p>\n

 <\/p>\n

Download the press release<\/a>
\nLink – Images<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Acquisition of 26 works by 11 artists for the Fondazione\u2019s permanent collection, which will be publicly accessible at Castello di Rivoli Museum of Contemporary Art and GAM – Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino.<\/p>\n","protected":false},"featured_media":17968,"template":"","categories":[17,14],"class_list":["post-17975","news","type-news","status-publish","has-post-thumbnail","hentry","category-collection","category-news-en"],"acf":[],"yoast_head":"\nTHE NEW ACQUISITIONS OF FONDAZIONE ARTE CRT AT ARTISSIMA 2025 - Fondazione Arte CRT<\/title>\n<meta name=\"description\" content=\"Acquisition of 26 works by 11 artists for Fondazione Arte CRT\u2019s permanent collection, which will be publicly accessible at Castello di Rivoli Museum of Contemporary Art and GAM - Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazioneartecrt.it\/en\/news\/the-new-acquisitions-of-fondazione-arte-crt-at-artissima-2025\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"THE NEW ACQUISITIONS OF FONDAZIONE ARTE CRT AT ARTISSIMA 2025\" \/>\n<meta property=\"og:description\" content=\"Acquisition of 26 works by 11 artists for Fondazione Arte CRT\u2019s permanent collection, which will be publicly accessible at Castello di Rivoli Museum of Contemporary Art and GAM - 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