{"id":10715,"date":"2021-11-06T14:35:34","date_gmt":"2021-11-06T13:35:34","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/?post_type=news&p=10715"},"modified":"2024-06-18T13:15:52","modified_gmt":"2024-06-18T11:15:52","slug":"acquisizioni-artissima-2021","status":"publish","type":"news","link":"https:\/\/fondazioneartecrt.it\/en\/news\/acquisizioni-artissima-2021\/","title":{"rendered":"ACQUISITIONS ARTISSIMA 2021"},"content":{"rendered":"

Twelve works of art by seven artists for Castello di Rivoli Museo d\u2019Arte Contemporanea and GAM – Galleria Civica d\u2019Arte Moderna e Contemporanea di Torino<\/em><\/p>\n

\u00a0Once again this year the Fondazione per l\u2019Arte Moderna e Contemporanea CRT has continued to support Artissima \u2013 International Fair of
\nContemporary Art, through the acquisition of 12 new works made by artists, to be added to the historic collection of the Foundation, and offered on a loan for use basis to two of the most important museums in Torino. Five selected works by Micol Ass\u00e4el, Giuliana Rosso, Francis Offman and Gokula Stoffel will be shown in curatorial projects at Castello di Rivoli Museo d\u2019Arte Contemporanea, while seven works by Chiara Camoni, Pesce Khete and Davide Sgambaro will be exhibited at GAM \u2013 Galleria Civica d\u2019Arte Moderna di Torino.<\/strong><\/p>\n

\u00abArtissima represents an exclusive showcase for the field of contemporary art, now fully established on an international level \u2013 says\u00a0Anna Ferrino<\/strong>,\u00a0president of Fondazione per\u00a0l\u2019Arte Moderna e Contemporanea CRT<\/strong>. Through its\u00a0support<\/strong>\u00a0for this event, Fondazione Arte\u00a0CRT continues to\u00a0reinforce the art system in Torino<\/strong>\u00a0and new expressive trends, putting them\u00a0into historical context through the\u00a0acquisition of selected new works<\/strong>\u00a0that become part of\u00a0the Foundation\u2019s collection. Over time, the pieces will become protagonists of new curatorial\u00a0projects carried out by two of the city\u2019s most important museums, repositories of the collection, and the works will be available for viewing on the part of a large audience.<\/em> \u00bb<\/p>\n

Artissima has always been an important factor of attraction for Torino, and besides being the most authoritative contemporary art fair in Italy, it is also the place chosen by Fondazione Arte CRT, a key part of Fondazione CRT, to invest its resources<\/strong>. While offering concrete support to the exponents of contemporary art in Torino, namely the artists and galleries<\/strong>, the new acquisitions will expand the historic collection of the Foundation<\/strong>, which each year adds works of even greater artistic value, making it comparable in importance to other prestigious public and private collections.<\/p>\n

The holdings constitute a case of excellence on the international art scene<\/strong> and include about 870 works<\/strong> created by over 300 artists<\/strong> with their own distinctive languages of expression \u2013 from painting to sculpture, video to photography, drawing to installation \u2013 representing an investment of over 40 million euros.<\/p>\n

The works acquired for the Castello di Rivoli Museo d\u2019Arte Contemporanea<\/strong><\/p>\n

\u00abIn line with the collection constructed to date and the curatorial projects of the museum now in progress, the acquisitions made for Castello di Rivoli thanks to the collaboration of Marcella Beccaria and Marianna Vecellio focus on works by artists who perceptively analyse some of the most urgent themes of the present. The sculpture \u610f\u898b iken (opinion, 2020) by Micol Assa\u00ebl reflects a situation made of unstable balances, obtained by combining materials and objects pertaining to obsolete and pre-digital technologies. The installation Finch\u00e9 quel che fantastichiamo (2020) by Giuliana Rosso underscores the paradox of digital hyperconnection, which multiplies relations while formulating a space of disquieting and anguished isolation. Made by using novel self-produced experimental pigments obtained from materials donated to the artist by friends and acquaintances, the Untitled (2020) paintings by Francis Offman employ the language of abstraction to include fragments of painful personal and collective memories. With vibrant colours and features that outline possible non-human presences, the work Fogo (2021) by Gokula Stoffel opens to a spiritual dimension that triggers relations between profound values belonging to multiple cultures\u00bb<\/em>, says Carolyn Christov-Bakargiev<\/strong>, director of Castello di Rivoli Museo d\u2019Arte Contemporanea.<\/p>\n

List of works: <\/strong><\/p>\n

Micol Ass\u00e4el<\/p>\n

\u610f\u898b<\/em>\u00a0iken (opinion)<\/em>, 2020
\nIron, wood, ceramic insulators, telephone; cm 114x227x90,5
\nSprovieri Gallery<\/p>\n

 <\/p>\n

Giuliana Rosso<\/p>\n

Finch\u00e9 quel che fantastichiamo \u00e8 stato, <\/em>2020
\nMixed media on paper and papier-m\u00e2ch\u00e9; dimensions based on display space
\nGalleria Veda<\/p>\n

 <\/p>\n

Francis Offman<\/p>\n

Untitled<\/em>, 2021
\nAcrylic, ink, coffee grounds, 100% cotton, gesso di Bologna on linen; cm 214×146
\nGalleria P420<\/p>\n

 <\/p>\n

Francis Offman
\nUntitled<\/em>, 2021
\nAcrylic, ink, paper, linen, coffee grounds, gesso di Bologna on 100% cotton; cm 232×272
\nGalleria P420<\/p>\n

 <\/p>\n

Gokula Stoffel
\nFogo<\/em>, 2021
\nOil and oil stick on canvas; cm 182×129
\nGallery Fortes D\u2019Aloia & Gabriel<\/p>\n

 <\/p>\n

The works acquired for GAM<\/strong>\u2013 Galleria civica d\u2019Arte Moderna di Torino<\/strong><\/p>\n

\u00abThe opportunity of the acquisitions at Artissima, with the support of Fondazione per l\u2019Arte Moderna e Contemporanea CRT, allows us to enhance the collections with new examples of today\u2019s Italian art, in tune with the focus on this area recently reflected in the exhibition On the Principle of Contradiction, curated by Elena Volpato in the museum over the last months. <\/em><\/p>\n

Sister by Chiara Camoni (1974), an evocative female figure made with necklaces of terracotta, laden with ancestral memories, and then groups of works by the younger artists Pesce Khete (1980), works on paper full of erudite references and citations, with a tone of fresh Neo-Expressionism, and Davide Sgambaro (1989), with a delicate rendering of the sense of perishability of things and life, help us to reflect with new information on the state of artistic research in our territory,<\/em> \u00bb says Riccardo Passoni<\/strong>, director of GAM \u2013 Galleria Civica d\u2019Arte Moderna di Torino.<\/p>\n


\nList of works:<\/strong><\/p>\n

Chiara Camoni
\nSister#1<\/em>, 2020
\nMulticoloured terracotta, iron, wood, dry flowers and grasses; cm 125x70x60
\nGalleria SpazioA<\/p>\n

 <\/p>\n

Pesce Khete<\/p>\n

Untitled<\/em>, 2021
\nPigment stick, graphite, silicone, oil paint and artist tape on cotton paper; cm 277×140
\nGalleria Colli<\/p>\n

 <\/p>\n

Pesce Khete<\/p>\n

Untitled<\/em>, 2021
\nPigment stick, graphite, chalk, oil paint and artist tape on cotton paper; cm 272×140
\nGalleria Colli<\/p>\n

 <\/p>\n

Pesce Khete<\/p>\n

Untitled<\/em>, 2021
\nPigment stick, silicone, spray paint, argan oil, artist tape on cotton paper; cm 240×140
\nGalleria Colli<\/p>\n

 <\/p>\n

Davide Sgambaro<\/p>\n

Parappapparaparapappappara (113C 3 HAG N10) #1<\/em>, 2021
\nCotton sheet, m&m’s; cm 200×90
\nGalleria Alberta Pane<\/p>\n

 <\/p>\n

Davide Sgambaro<\/p>\n

Parappapparaparapappappara (113C 3 HAG N10) #3<\/em>, 2021
\nCotton sheet, m&m’s; cm 200×90
\nGalleria Alberta Pane<\/p>\n

 <\/p>\n

Davide Sgambaro<\/p>\n

I push a finger into my eyes (kiss, kick,kiss) #2,<\/em> 2021
\nWood, glass, iron, steel, exploded fireworks; cm 100x70x17
\nGalleria Alberta Pane<\/p>\n

 <\/p>\n

Image Credit Patrick De Lorenzi<\/a>
\nLink Immagini opere<\/a><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

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