{"id":5992,"date":"2020-11-23T20:52:36","date_gmt":"2020-11-23T19:52:36","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/artista\/sandro-becchetti-3\/"},"modified":"2021-06-08T15:09:51","modified_gmt":"2021-06-08T13:09:51","slug":"sandro-becchetti","status":"publish","type":"artista","link":"https:\/\/fondazioneartecrt.it\/en\/artist\/sandro-becchetti\/","title":{"rendered":"Sandro Becchetti"},"content":{"rendered":"<div>Perhaps because his passion for portraiture emerged around the film personalities of Cinecitt&#224; and the magic of the big screen, Becchetti&#8217;s photographs often contain elements that convey the truth of the body, but also phantasmatic, evanescent features, made more of spirit than flesh.<\/div>\n<div>The images dedicated to Vincenzo Agnetti, Hitchcock and Pasolini have overwhelming physicality and presence: Hitchcock yawns with the intensity of a lion; Agnetti approaches the lens, almost arrogant, with a challenging air; and Pasolini seems sculpted in chiaroscuro. In one shot he even possesses a disturbing physicality that illness can sometimes convey, the body pushed forward so it can be abstracted in the glance<span>. [&#8230;]<\/span><\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-5992","artista","type-artista","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sandro Becchetti - Fondazione Arte CRT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazioneartecrt.it\/artista\/sandro-becchetti\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sandro Becchetti - Fondazione Arte CRT\" \/>\n<meta property=\"og:description\" content=\"Perhaps because his passion for portraiture emerged around the film personalities of Cinecitt&#224; and the magic of the big screen, Becchetti&#8217;s photographs often contain elements that convey the truth of the body, but also phantasmatic, evanescent features, made more of spirit than flesh. 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