{"id":5675,"date":"2020-11-23T20:50:55","date_gmt":"2020-11-23T19:50:55","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/artista\/mario-nigro-3\/"},"modified":"2021-09-09T15:38:48","modified_gmt":"2021-09-09T13:38:48","slug":"mario-nigro","status":"publish","type":"artista","link":"https:\/\/fondazioneartecrt.it\/en\/artist\/mario-nigro\/","title":{"rendered":"Mario Nigro"},"content":{"rendered":"<div>In an almost legendary journey, Hidetoshi Nagasawa travelled by bicycle from Asia to Italy.<\/div>\n<div>In 1954, on the occasion of his solo exhibition at the Casa della Cultura in Livorno, Mario Nigro published a text where he recalls how he achieved a &#8220;totally non-objective&#8221; expression in 1948. His involvement with abstract language, which included, in 1949, an invitation to be part of the Arte Concreta movement in Milan, corresponded to the artist&#8217;s invention of a specific form that initially drew upon his experience with music and knowledge of its rules. 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In 1954, on the occasion of his solo exhibition at the Casa della Cultura in Livorno, Mario Nigro published a text where he recalls how he achieved a &#8220;totally non-objective&#8221; expression in 1948. 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