{"id":5673,"date":"2020-11-23T20:50:55","date_gmt":"2020-11-23T19:50:55","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/artista\/hermann-nitsch-3\/"},"modified":"2022-06-09T15:28:33","modified_gmt":"2022-06-09T13:28:33","slug":"hermann-nitsch","status":"publish","type":"artista","link":"https:\/\/fondazioneartecrt.it\/en\/artist\/hermann-nitsch\/","title":{"rendered":"Hermann Nitsch"},"content":{"rendered":"<div>Nitsch&#8217;s work began with the modified concept of color, developed in painting from the postwar period, where color was not only a chromatic value, but also a material, a fluid onto which the gesture could be imprinted, using a brush or a spatula.<\/div>\n<div>Inspired by this renewed body of color, Nitsch developed paintings created through the Sch&#252;ttbild (splatter painting) method, applying a stream of color to a raw canvas, hung vertically. These works compositionally exploit the explosion of the scribble and the downward drips.<\/div>\n<div>After these first experiments, the aspect of the action that determines the painting gradually takes on growing importance, culminating in his &#8220;Orgien Mysterien Theater.&#8221; [&#8230;]<\/div>\n","protected":false},"featured_media":0,"template":"","class_list":["post-5673","artista","type-artista","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Hermann Nitsch - Fondazione Arte CRT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazioneartecrt.it\/artista\/hermann-nitsch\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hermann Nitsch - Fondazione Arte CRT\" \/>\n<meta property=\"og:description\" content=\"Nitsch&#8217;s work began with the modified concept of color, developed in painting from the postwar period, where color was not only a chromatic value, but also a material, a fluid onto which the gesture could be imprinted, using a brush or a spatula. 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