{"id":5661,"date":"2020-11-23T20:50:51","date_gmt":"2020-11-23T19:50:51","guid":{"rendered":"http:\/\/fondazioneartecrt.it\/artista\/niamh-o-malley-3\/"},"modified":"2021-06-03T14:22:10","modified_gmt":"2021-06-03T12:22:10","slug":"niamh-o-malley","status":"publish","type":"artista","link":"https:\/\/fondazioneartecrt.it\/en\/artist\/niamh-o-malley\/","title":{"rendered":"Niamh O\u2019Malley"},"content":{"rendered":"<p>The central interest in Niamh O&#8217;Malley&#8217;s research is the status of the image, its existence that is simultaneously a fact external to the viewer and a fact constructed by the viewer in the very act of looking. This subject has a distant ancestry in positivist studies of optics in the nineteenth century and its roots thus can be found in the history of painting, both as a development of pictorial techniques in relation to photography and color theory, and as illusive language, devoted since antiquity to mimesis and to the deception of <i>trompe l&#8217;oeil<\/i>. Image and eye conspire to create the deception that they feed off, and both, Niamh O&#8217;Malley seems to say, fail to establish any possible relationship with reality and its truth. [&#8230;]<\/p>\n","protected":false},"featured_media":0,"template":"","class_list":["post-5661","artista","type-artista","status-publish","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Niamh O\u2019Malley - Fondazione Arte CRT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/fondazioneartecrt.it\/artista\/niamh-o-malley\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Niamh O\u2019Malley - Fondazione Arte CRT\" \/>\n<meta property=\"og:description\" content=\"The central interest in Niamh O&#8217;Malley&#8217;s research is the status of the image, its existence that is simultaneously a fact external to the viewer and a fact constructed by the viewer in the very act of looking. 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