1.0Fondazione Arte CRThttps://fondazioneartecrt.it/en/Fondazione Arte CRThttps://fondazioneartecrt.it/en/Rosa Barba - Fondazione Arte CRTrich600338<blockquote class="wp-embedded-content" data-secret="2ALzhlJtNz"><a href="https://fondazioneartecrt.it/en/artist/rosa-barba/">Rosa Barba</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fondazioneartecrt.it/en/artist/rosa-barba/embed/#?secret=2ALzhlJtNz" width="600" height="338" title="“Rosa Barba” — Fondazione Arte CRT" data-secret="2ALzhlJtNz" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript">
/* <![CDATA[ */
/*! This file is auto-generated */
!function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document);
//# sourceURL=https://fondazioneartecrt.it/wp-includes/js/wp-embed.min.js
/* ]]> */
</script>
Just as we are witnessing the pre-eminence of digital animation, Rosa Barba turns her gaze back and begins to experiment with the cinematographic language and its most traditional and obsolete constituent elements. Her work, which includes film, kinetic sculpture and site-specific interventions, in fact exploits some of the material components of this expressive medium. The […]