1.0Fondazione Arte CRThttps://fondazioneartecrt.it/en/Fondazione Arte CRThttps://fondazioneartecrt.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="nW3O8ILrkt"><a href="https://fondazioneartecrt.it/en/artist/hollis-frampton/">Hollis Frampton</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fondazioneartecrt.it/en/artist/hollis-frampton/embed/#?secret=nW3O8ILrkt" width="600" height="338" title="“Hollis Frampton” — Fondazione Arte CRT" data-secret="nW3O8ILrkt" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fondazioneartecrt.it/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Hapax Legomena (nostalgia) is considered a masterpiece of film by one of the greatest directors involved with conceptual research. The work is made up of innumerable shifts in meaning that originate in the encounter between filmic time and photographic time, between the time contained in images and the time of the off-screen story. Frampton had […]