1.0Fondazione Arte CRThttps://fondazioneartecrt.it/en/Fondazione Arte CRThttps://fondazioneartecrt.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="v0J3mNZWzm"><a href="https://fondazioneartecrt.it/en/artist/giuseppe-spagnulo/">Giuseppe Spagnulo</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fondazioneartecrt.it/en/artist/giuseppe-spagnulo/embed/#?secret=v0J3mNZWzm" width="600" height="338" title="“Giuseppe Spagnulo” — Fondazione Arte CRT" data-secret="v0J3mNZWzm" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fondazioneartecrt.it/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Giuseppe Spagnulo began working in the early 1960s, using terracotta to create dialogues between geometric and corporeal forms, as if to anchor the elusiveness of the individual to volumetric laws. Between 1965 and 1966 he changed language and material, moving from terracotta to wood and from figuratively inspired motifs to pure abstraction. With wood, Spagnulo […]