1.0Fondazione Arte CRThttps://fondazioneartecrt.it/en/Fondazione Arte CRThttps://fondazioneartecrt.it/en/rich600338<blockquote class="wp-embedded-content" data-secret="lucTNWHg3s"><a href="https://fondazioneartecrt.it/en/artist/asger-jorn/">Asger Jorn</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://fondazioneartecrt.it/en/artist/asger-jorn/embed/#?secret=lucTNWHg3s" width="600" height="338" title="“Asger Jorn” — Fondazione Arte CRT" data-secret="lucTNWHg3s" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://fondazioneartecrt.it/wp-includes/js/wp-embed.min.js /* ]]> */ </script> Jorn is one of the postwar European artists most inextricably bound to the history of Italian painting in the 1950s and 1960s, through the experience of the Bauhaus Imaginiste and the Situationist International, which links him to Pinot Gallizio. Even earlier, he had known Enrico Baj through the Nuclear Art movement. The latter, writing an […]